François Couperin (1668 – 1733). Le Tic-Toc-Choc ou Les Maillotins.
Transcription for Accordion (Bayan) by Anatoly Semeshko.
For bayan / accordion / accordeon / akkordeon solo

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Number of pages: 5

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François Couperin. Le Tic-Toc-Choc ou Les Maillotins.
Transcription for Bayan (Accordion) by Anatoly Semeshko

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Video demo: François Couperin. Le Tic-Toc-Choc ou Les Maillotins. Performed by Grigory Sokolov, piano

Sheet music with transcriptions, arrangements of compositions by François Couperin (1668 – 1733) for Accordion / Bayan / Accordeon / Akkordeon /
Fisarmonica / Harmonika / Harmonica / Trekkspill / Dragspel / Harmonikka / Bajan / Akordeon:

F.Couperin. Le Tic-Toc-Choc ou Les Maillotins. Transcription for accordion by A.Semeshko	F.Couperin. Le réveille-matin / The Alarm Clock. Transcription for accordion DUO by O.Mishchenko	F.Couperin. 1) Le réveille-matin / The Alarm Clock; 2) Passacaille (Passacaglia) in B minor. Transcription for accordion by S.Naiko

Sheet music with arrangements, transcriptions, compilations by Anatoly Semeshko for Accordion / Bayan / Accordeon / Akkordeon /
Fisarmonica / Harmonika / Harmonica / Trekkspill / Dragspel / Harmonikka / Bajan / Akordeon:

D.Buxtehude. Selection of Pieces. Transcriptions for Bayan (Accordion) by A.Semeshko	F.Liszt. Missa pro Organo, S.264 Selected pieces. Transcriptions for Bayan (Accordion) by A.Semeshko	Accordion on the concert stage. Volume 12	B.M.Černohorský. Toccata in C major, Fugue in A minor
J.S.Bach. Agnus Dei. Aria from Mass in B minor BWV 232. Transcriptions for Bayan (Accordion) by A.Semeshko	G.P.Telemann. Fantasia No.5 TWV 33. Transcriptions for Bayan (Accordion) by A.Semeshko	W.A.Mozart. Organ Compositions. Transcriptions for Bayan (Accordion) by A.Semeshko	F.Liszt. Organ Chorale Prelude. Transcriptions for Bayan (Accordion) by A.Semeshko
C.Franck. L'Organiste Organist. Transcriptions for Bayan (Accordion) by A.Semeshko	F.Couperin. Le Tic-Toc-Choc ou Les Maillotins. Transcriptions for Bayan (Accordion) by A.Semeshko	M.Mussorgsky. Near the Southern Shore of the Crimea. Baydarki. Capriccio. Transcriptions for Bayan (Accordion) by A.Semeshko	M.E.Bossi. Organ Compositions. Transcriptions for Bayan (Accordion) by A.Semeshko
V.Besfamilnov - A.Semeshko. Upbringing the bayan (accordion) player. for Bayan (Accordion)	Yu.Shamo. Pieces for Bayan (Accordion)	Accordion on the concert stage. Volume 1	Accordion on the concert stage. Volume 2
Accordion on the concert stage. Volume 3	Accordion on the concert stage. Volume 4	Accordion on the concert stage. Volume 7	Accordion on the concert stage. Volume 8
Accordion on the concert stage. Volume 9	Accordion on the concert stage. Volume 10	Accordion on the concert stage. Volume 11	Bach and his Sons. Organ and Klavier Compositions Transcriptions for Bayan (Accordion) by A.Semeshko
A.Timoshenko. Children's Album for Bayan (Accordion)	Suites for young accordion learners Volume 5	Rhythm. Harmonica. Jazz. Variety Pieces for Bayan and Accordion. Volume 5	Concert Pieces by Ukrainian Composers for Bayan (Accordion). Volume 1
Concert Pieces by Ukrainian Composers for Bayan (Accordion). Volume 2	Concert Pieces by Ukrainian Composers for Bayan (Accordion). Volume 3	Volodymyr Podgorny ( Vladimir Podgorny Concert Pieces on Poplular Themes for Button-Accordion. Compiled by A.Semeshko	Cyril Scott. Indian Suite. Transcription for Accordion by A.Semeshko
Yury Shamo. Sonata No. 1 Edited for Accordion by A.Semeshko	1) A.Machavariani. Khorumi; 2) N.Halmammedov. Sounds of Dutar Transcription for Accordion by A.Semeshko

Anatoly Semeshko (01.08.1949, Apostolovo, Dnipro province, Ukraine) is a famous Ukrainain bayanist, teacher, methodologist, active participant of modern social musical movements. He is an Honoured Artist of Ukraine (1993), Professor (1993), Academic of Petrovsk Academy on Sience and Art (Russia, St.Petersburg, 2007), prize-holder of "Silver Disc" of Gnesins Russian Academy of Music, secretary of Ukrainian National Musical Union, President of Association of Bayan and Accordion Players of Ukraine.

Anatoly Semeshko is laureate of all-Ukrainian (1977, Kyiv, 1st Prize) and diploma holder of the 1st all-Union bayan-accordion players competitions (1979, Novosibirsk, USSR).

He went on tours as a soloist as well as a participant of prefessional groups in many countries of Europe, Asia and America.

Anatoly Semeshko is the 1st performer of such compositions: V.Zubitsky "Jazz-Partita No. 1", A.Beloshitsky "Suite No. 2 - Romantic", Yu.Shamo "Sonata No.1", "Partita-Piccolo", "Concert Diptych", "Variations", "Improvisation and Burlesque", "Children Suite".

During the years of pedagogical activity Anatoly Semeshko brought up the pleiad of skilled performers, conductors, teachers. Amongst them are: People's Artist of Ukraine, Shevchenko National Prize laureate, artistic director and chief conductor of National Honoured Academic Orchestra of Ukraine V.Sirenko, Merited Artists of Ukraine A.Ivchenko, V.Oliynyk, laureate of Kazakhstan State Prize, Merited Artist of Tatarstan D.Sultanov, laureates of many prestigious international competitions K.Zhukov, B.Myronchuk, V.Marunych, D.Zahorodny, O.Kolomiyets, D.Tylko, M.Hruzynsky, A.Tonkonogh and other.

Anatoly Semeshko is a main initiator and artistic director of the 1st in Ukraine International Bayan-Accordion Competition "Cup of Kryvbas", Vice President of International Competition-Festival of Professional Art of Bayan-Accordion Performance "Acco Holiday".

Anatoly Semeshko is a member of numerous national and international competitions, participant of international seminars and congresses of Confédération Mondiale de l’Accordéon. He was awarded two times with Honoured Diploma of this organisation for achievements in the sphere of musical pedagogics and for preparing the winner of "Coupe Mondiale" (1995, 2001).

Anatoly Semeshko is an author of numerous publications. Amongst them are: monographs, tutorials, books, chrestomathies, booklets and other. As an editor-compiler, author of transcriptions, forewords, comments and methodological recommendations he prepared and published the whole series of compilations of concert and pedagogical repertoire (around 50). He is an author of articles in press and specialised publications, both domestic and foreign. | to the top |